Also, when using the dry/wet control, the wet signal is significantly delayed, which results in quite a cool slap delay effect, but I guess this isn’t how this is supposed to work. The big problem with Autotuna is that it sometimes turns an incoming source stereo while leaving it in mono other times. Setting up a scale is quite complicated, but a version from Beat Lab makes the whole process easier. Additionally, there are 3 more controls to fine-tune the device’s behavior, including a correction threshold in cents, a sibilance threshold, which allows you to leave sibilances unaffected, and an ambiance threshold, which let’s quieter parts like noise or reverbs tails pass through. You can select its quality via a dropdown menu and adjust the correction amount. Last on the list is a Max for Live device called “Autotuna.” Since this is a Max for Live Device, it’s only available for Ableton Users.

But most importantly: it sounds pretty damn good for a freebie. Still, you can create your own scales by activating and deactivating single notes utilizing the piano illustration. All Major, Minor, Pentatonic, and the Chromatic scale can be selected super fast. You can further fine-tune the plugin’s pitch detection using a threshold, filters, and stabilization time. Additionally, there’s a “keep formants” control, which is supposed to make the pitch correction sound more natural. You’ll get a clean, modern interface with 2 simple controls for correction depth and speed. MAutoPitch is the clear winner among free autotune plugins. However, subtle settings aren’t noticeable and are used on most records that include singing today. Extreme settings can result in a robot-like effect, first used by Cher and later popularized in Hip Hop by Kanye West and T-Pain. “Auto-Tune” is an audio processor by Antares which allows producers to correct pitch imperfections in post-production.

Pitcher autotune